Footnotes
1. Exemplary of such an attitude is Claire Bishop’s article in Artforum (2012) in which the critic decides to designate certain digital works to another domain of a ‘specialised field of its own’ thus implying they are of no interest to art critics unless they exist and are exhibited within the main stream art events such as Venice Biennale, Turner Prize in Britain, etc. See also responses to this article in (Harger 2012; Jackson 2012; Lichty 2013).
2. Indicative of this is the rise of what has been called ‘share economy’ which allows citizens to monetize on their assets through renting their flats via airbnb platform and similar. See also a conversation between Trebor Scholtz and Tiziana Terranova in (2014).
3. See also (Debatty 2008)and the discussion on post-net aesthetics on Rhyzome, especially an article by (Connor 2013).
4. See also other contributions to Christian U. Anderson; Cox G.; Papadopoulos G. (eds) Post-Digital Research, in A Peer Reviewed Journal About, 3 (2014).